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Framing your work of art, painting, print
or whatever can make or break its appearance. Below are some ideas, tips
and examples for you to have a look at.
Your framer should be able to advise you on different styles available. |
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CHOOSING A MATTE The matte is the cardboard that surrounds a picture.
It should be chosen to both conserve the artwork as well as to
compliment it. Make sure that when you choose a matte, that it is
acid-free so that it won't stain your artwork. Then the colour should
help to pick up the colours of the artwork as well. Don't let the matte
overpower the artwork. Have a look at the mattes on the left. For this
picture of 'The Infantryman', which is a picture in graphite lead and
which is a combination of greys of varying tones, I decided to keep the
theme going. I chose two mattes to make it a double matte. The lower
matte only shows about 7mm of colour which is a cool grey. Above that
matte is the warm grey which is about 100mm from edge to edge. You'll
also note that I chose a black core matte for the upper matte and a
white core (natural) matte for the lower. The black core matte, once
cut, will show through the dyed fibres of the cardboard and give an
outline to the image. This is especially noticeable in bevel cuts, ie
cuts at angles less than 90 degrees (see below). |
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CHOOSING A MATTE (cont.) With this picture, we decided to use a triple
matte; a dusky pink on the lower matte, a burgandy for the middle matte
and the same dusky pink for the upper matte. You can see how the pinks
pick up and compliment the skin tones of the girls and the burgandy
compliments the russet colours of the hair. |
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WINDOW CUTS A window cut is a great device for highlighting in or on
mattes. It requires two mattes; one upper and one lower. The upper matte
will have a window cut into it to reveal the lower matte and whatever
else is being highlighted. You can see the bevel cut here where the cut
is made at 45 degrees revealing the white of the fibres. |
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SHADOW BOX Shadow boxes are great for presenting larger items such as
medals or badges. In the example at left, a set of Army Pilot's Badge
(wings) is being presented. Because the badge is about 5mm thick, it
makes it difficult to keep the matte flush, and so a spacer is
incorporated in the framing. The result is a light shadow surrounding
the item which helps to highlight it. The spacer is usually foamcore or
other light material. In the image at left, you can see that by keeping
the upper and lower mattes the same colour, the shadow is subtle. |
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SHADOW BOX Here is how a shadow box is designed. Note how the upper
matte has been cut at 45 degrees (ie bevel cut). |
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Here is an example of a picture that has been framed using black core
and a shadow box. The matte colour was chosen so as to not overpower the
image because there were going to be distinct lines around the image
from the black core. The larger outline is made by the frame itself, the
colour of which was chosen to compliment the colour of the chalk used to
create the image. |
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V CUTS If you don't want to use two mattes, another way to incorporate
a line around the artwork is to use a 'V' cut or groove. A 'V'-shaped
groove is cut around the inner window revealing the white fibres of the
cardboard. The result is a fine white line which surrounds the picture. |
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SOME EXAMPLES OF FRAMING |
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